Saturday, February 13, 2010
more Rifkin: the need to belong
Many of the renegade psychologists of the 1930s and 1940's thought differently [than Freud]. They argued that children are born with a reality principle, and that principle is to seek affection, companionship, intimacy, and a sense of belonging. The search to belong, they suggested, is the most primary of all drives. Society often tempers or represses the drive for affection and intimacy to serve socially constructive ends, but it remains the essential nature of human beings.
That's about the size of it. It is the recognition that the search for belonging and connection is the basis of EVERY SCENE is what is still not widely grasped in many acting approaches today. As Americans, with our national story of rugged individualism and frontier self-reliance, we can have some difficulty with this at first. We are, though, in the final analysis, mammals, and mammals are herd animals. When we get down to what is primitive, visceral and essential for us, it is the need to belong: to belong as a son, a mother, a teacher, a cool kid, a person of conscience, an artist, an athlete, a benefactor, there are many different kinds of belonging we can seek, but belong we must. This yearning, this passion, this appetite for belonging is the source of the energy needed to live our lives. It is this drive that is the "motivation" that acting teachers of past generations were reaching for or groping for. It is vitally important for us, and we know it is vitally important for others as well, and the fact that we know we each have it to give and receive in distinct ways gives us the clout to negotiate with others and fight for what we need. It is, at once, our greatest liability (we are miserable if we suffer from a great deficit of it) and our greatest resource (we can bestow belonging and appreciation others, and receive this appreciation from others). Acting is learning to make this need palpable and visible as we present the push and pull of these negotiations and struggles across every conceivable context. Now that's what I call a vocation.
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Andrew Wood Acting Studio
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Jeremy Rifkin,
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The Empathic Civilization
Friday, February 12, 2010
Introductory Alexander Technique class- Bay Area

From Constance Clare-Newman:
Hello students, friends, colleagues,
Please pass this along to anyone who you know would benefit!
Thanks!
Move into the spring with balance and ease!
Introductory Alexander Technique Class
This six-week class will meet Thursday mornings, 10:30am-12pm, February 25-April 8. (skipping March 25th)
Includes 6 group sessions plus one private lesson. Cost is $250.
Learn basic functional anatomy as it relates to posture and movement.
Understand how your state of mind affects your muscles and postural state.
Discover the unconscious habits that interfere with your good posture, free movement, and even mood.
Explore changing these habits in class and practicing better posture, less effort in activities and poise of your mind/body self.
Classes include mindful movement and breath explorations, practice in activities from your daily routine and individual hands-on guidance. Students leave each class feeling relaxed and revitalized. Each week offers a new practice to explore and skills you can use immediately.
This practical weekly group experience includes a private lesson in which you receive a personalized evaluation of your postural and movement patterns, and new ways to un-do them.
Class sessions are 90 minutes; private sessions are 50 minutes. Class size is limited to 6 students.
Classes are held in Rockridge, Oakland. 2 blocks from BART and just off Hwy 24.
Call or e-mail Constance for more info, or to register, 510-655-2734
Constance Clare-Newman
http://www.constanceclare.com
510-655-2734
Less Effort, More Ease
The Alexander Technique
constance@constanceclare.com
Check out Constance's great guest post on this blog here.
why my neighborhood is Teh Awesome!!!

where else in America?
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