Right actor, wrong role: when stars are not aligned
15 hours ago
This is the former location of the blog of the Andrew Wood Acting Studio in Los Angeles.. The blog is now located at http://www.andrewwoodla.com/blog. This old location has been left in place as an archive.
Travis Shakespeare started acting early on in theater as a teenager in his home state of Colorado. His first recognition as an actor came from his performance in Flowers Out of Season, a Williamsesque drama about a borderline psychopath in Waco, TX. The Denver Post called his work a "bravura performance," which gave him all the reason he needed to head to NY to try for the big time.
After college Travis studied acting with Susan Grace Cohen and at The Actor's Studio. He had a recurring role on The Guiding Light, and featured roles in Spike Lee's Malcolm X and Woody Allen's Celebrity. He appeared in many independent films & commercials, as well as over 20 New York stage productions. Ultimately he nabbed a leading role on Broaday in the Lincoln Center production C'est La Vie, in which he played a young artist vying for success in New York society.
That experience sent him on to Los Angeles in 2001. Critics singled him out in A Charlie Brown Commercial Xmas as "brilliant"(LA Weekly) and "outstanding" (LA Times). A year later Daily Variety, Access Hollywood & Extra! all featured Travis in the industry spoof hit Allyn McBeal.
In 2004 Travis started producing documentary television, which meant less time to pursue acting, but he never lost his love for performing. In 2008 he decided to start auditioning again, and was cast in the Swiss short Big Sur, which garnered much festival recognition and a Swiss Academy Award nomination. In 2009 Big Sur was remade as a feature film, set to debut in the Spring. He also signed with Innovative Artists for commercials.
Shakespeare's art is no more and no less than the supreme example of a mobile, creative and adaptive human capacity, in deep relation between brain and language. It makes new combinations, creates new networks, with changed circuitry and added levels, layers and overlaps. And all the time it works like the cry of "action" on a film-set, by sudden peaks of activity and excitement dramatically breaking through into consciousness. It makes for what William James said of mind in his "Principles of Psychology," "a theatre of simultaneous possibilities." This could be a new beginning to thinking about reading and mental changes.