3 hours ago
This is the former location of the blog of the Mother of Invention Acting School in Los Angeles and San Francisco. The blog is now located at http://utteracting.com/blog. This old location has been left in place as an archive.
And in a technique called affective memory, … Strasberg believed he had found a reliable aid for achieving [true emotion]. … What Strasberg prized about the technique was that the actor would be using true emotion – his own reawakened real-life feelings – to color and deepen his performance. . . Maintaining that the technique was the surest way of achieving the style of psychological realism the Group was searching for, Strasberg placed it as the foundation of his work
Adler's biggest issue with Strasberg concerned whether an actor should use the technique of "affective memory" (recalling a personal event or sensory experience for more expressive and truthful behavior), or living in the moment, using your partner to create a believable result. It's been said that after Strasberg died, Adler asked for a moment of silence in her class for the famous actor. Afterwards, she allegedly claimed that it will take a hundred years to repair what Strasberg did to acting.
You will need to supply personal psychological realities only when direct contact with the events, the objects, and your partner fails to stimulate you, when the imagination alone fails to support your specific actions during the moment-to-moment give and take that will prove you are alive on stage.
The sole purpose of developing a limber psychological instrument, and the correct technique of spontaneous emotional recall, is to discover and execute the consequent actions (what we do about what we feel) and to give substance to the actions which are the true communicators of our character.
[A transference] should not lead you to private feelings and reveries when you are on stage. A transference is incomplete until the original source has become synonymous with the material in the play...[When practicing transference] I have not hung onto an image of [the person from my own experience] or dangles their images before my eyes. That would cloud my awareness of the partner and my influence on him.