Today on TCM: 3 Slapstick WWI Comedies
18 hours ago
This is the former location of the blog of the Mother of Invention Acting School in Los Angeles and San Francisco. The blog is now located at http://utteracting.com/blog. This old location has been left in place as an archive.
There's a powerful symmetry at work in "Crazy Heart" that's impossible to resist. >It's a parallel between protagonist Bad Blake, a country singer whose entire life has led him to a nadir of disintegration, and star Jeff Bridges, whose exceptional film choices have put him at the height of his powers just in time to make Mr. Blake the capstone role of his career.
It's a mark of how fine a performance Bridges gives that it succeeds beautifully even though the besotted, bedeviled country singer has been an overly familiar popular culture staple (Rip Torn in "Payday," Robert Duvall in "Tender Mercies," Hank Williams and Merle Haggard in their own lives) for forever.
Crazy Heart, directed by Scott Cooper, is fine for the kind of film it is, but I can't help thinking this movie, in its release timing and the talk surrounding it about Bridges's performance being award-worthy, arrives in the same spot as last year's The Wrestler. However, The Wrestler felt truly special -- whether owing to Mickey Rourke's performance, Darren Aronofsky's direction, or the depths that both men take their main character, that movie conveyed helpless pain in a way as raw as I've ever seen. At some point in Crazy Heart, pain like that is touched upon during a key moment, the moment Blake realizes he's more of a screw-up than he's let himself believe.